Category: metropolarity

fiction/essays written with and for Metropolarity crew. You can find the rest of our work at metropolarity.net

  • METROPOLARITY’s BAD USER AGREEMENT

    METROPOLARITY’s BAD USER AGREEMENT

    BAD USER AGREEMENT, the latest episode of METROPOLARITY‘s Journal of Speculative Vision & Critical Liberation Technologies, is finally here. From conception to publication, this release took a few seasons and is the result of us doing the work according to our capacities and desires, rather than some production minded shit. It was also originally intended to be a zine, but then became too thick for anything but perfect binding. It features a body font called OpenDyslexic, which we hope will be easy on people who usually have trouble reading. You can purchase it direct from us at the METROPOLARITY webshop, and likely any event I’ll be reading or tabling at.

    Bad user agreements are those that our societies are built upon. The promises we are taught are true and real and our continued existence in spite of the lies. These are stories of people surviving bad user agreements & ways to game the system.

    Philly based sci-fi & other atemporal fantastic tales from accomplices & kin.

    18 contributors:
    • Karga Fantasma
    • Nora Sinnett
    • Noah Alexander Flora @phenohype_
    • Silvia NoSiri
    • Dani @prettyboycrybaby
    • Seren
    • Tommy Dandelion @tommy.dandelion
    • Joyce Hatton @adifficultjoyce
    • Dyke Sundance
    • Malachi Lily @theholyhawkmoth
    • Dylyn
    • GVN908
    • fishspit
    • M K SmithVail
    • Jurassica Lee McClusky @alternatepools
    • M.Meesh
    • beckett khaim bauer
    • parx333

    and the crew
    r.cutlass, Alex Smith, M Téllez, and Rasheedah Phillips

    124 pages
    6″ x 9″ linen softcover, cream paper
    partial color
    ISBN: 978-0-9981138-1-4
    $16 USD (Price includes shipping inside the US)

    This book will be available at our upcoming events for $16.

    Buy BAD USER AGREEMENT [sold out]

    2024 update:
    Download BAD USER AGREEMENT

  • Soothsaying with METROPOLARITY

    Soothsaying with METROPOLARITY

    Myself, Ras Cutlass, and Rasheedah Phillips of our beloved METROPOLARITY crew were invited to do a show on PhillyCAM (Community Access Media) in Philadelphia.

    Join Metropolarity for an intimate night of prophecying, sh*t talking, and secret spilling.

    Your anxieties about the future sent via email/text/social media will be answered on air in between doses of wisdom about how to live with the increasingly absurd, dangerous, and exciting[?] future present!

    Soothsaying with Metropolarity from PhillyCAM on Vimeo.

    The show originally aired live on July 7th, 2017. It also aired every Friday in July at 7pm EST, on Philly Comcast channels 66/966 and Verizon channels 29/30. =3

    Thanks for having us PhillyCAM!

  • Style of Attack Report

    Style of Attack Report

    A self-published jawn by my unrelenting coven, METROPOLARITY, produced in our fourth year.

    METROPOLARITY is a DIY sci-fi collective based, bred, and tested in the colliding future-present of Philadelphia. This Style of Attack Report contains select work from Metropolarity’s four founding members, who contribute theory, practice, and experience of home grown speculative visioning for both historical documentation as well as personal and collective survival. The collection serves as a model and a record of how Black, brown, queer, low-resource, working, ill and in-recovery people can project themselves into the future, conjuring resources, technology, and magic that aid us in the present.

    Also this sci-fi is FIRE cuz the crew don’t play.

    Get a copy direct from the source here.

  • Adolescence

    Adolescence

     
    How my heart used to race
    at the sound of a dial-up
    connection
    The beige clack of keyboard.
    An adolescent body perched
    on a greasy dining room chair
    The glow of a desktop screen,
    resolution 800 x 600.
    This is where I grew up,
    in an invisible universe,
    now imploded.

     

    When I was captain of the elites I served the Emperor, who had a liking for me, albeit punishing. It was an inappropriate relationship, how he deigned to spend his time training me rather than any of his own men. I felt the direct consequences of his favoritism immediately. On the home planet of an empire whose dominant ideology uplifted warrior narratives and martial prowess, they found my cybernetics revolting. They called me toaster, which offended my pride for its unimaginitiveness––on Vejitasei they hadn’t used energy like a toaster since primitive civilizations past. Yet I toasted. I cheated, they said, my ability was not my own. Humans should not be so strong when they are disconnected to the true Flow of the universe in the first place––they were hateful that my teenaged build betrayed the ability within. The sheer power I housed, complicated, was obfuscated in my chemically fortified cells, my boosted nanostructures, my prime responsive skin, my entropy-faceted heart-power source.

    They were forced on to their knees the day the Emperor announced he would be investing me from a humble bondsman in the Elites straight to the pinnacle of the Imperial Guard. The fanatically militant populace scoffed that I could even pronounce the word in our language––”imperial.” But I knew that day that I only need bow to the Lord himself, and anyone who dared take issue with that would find themself at the mercy of his chosen retainer, me. Me, the refuse of a failed madman’s attempts at retribution––a corporation man in the Earth collapse who couldn’t live unless he was maiming others. He took my twin and myself as adolescents and changed us eternally.

    To me, it is no wonder that I sought out a place in the Vejitasei warrior hierarchy. It made so much sense, to be rewarded for survival rather than compliance.

    I remain so removed from myself, yet.

    A vacuum-frozen pion.

    On Earth I had been made into a receptacle, then tortured for the purpose, which never came because my brother and I rejected it. Murder. Our maker. No masters, he smirked at me, severed head underfoot. We used to be things. The Emperor made sure I was a true warrior. By then, my brother had been exiled to the red mountains, because he couldn’t serve anyone. He was burnt out and traumatized and in need of care and love, and I somehow managed to go on, subsisting on the numbing body high of service and domination. Seventeen had liked chaos. I wanted structure. The Emperor gave me so much structure that there was no room for my brother. They hated each other. I wish . . . Seventeen was still with me. But the Emperor saw what he had done and was fast to provide me with subordinates, those bound to me by the honor of their word and the virtue of my position to the Lord himself.

    I knew the Emperor’s name as no one else was allowed. He would find me after my vicious sessions getting the yet-offended Guard to respect my hand and say, come walk with me. He would usher me forth with a gesture, and under his attention, I went. The beauty of the empire was another thing entirely among his private gardens, where he did not wear his armor, where he would ask me how I was faring, only to chuckle and smile and admonish my responses as things children should quickly learn from. And every time I threatened tears or silence, he would take my gaze and I would know there was more that he had in store for me. I would think my suffering was but a treatment towards elevation.

    The first time he touched me not in sparring was after I had humiliated an impetuous cousin of the lineage. It was under his total attention that I watched him remove his crest and gauntlets and felt myself incited by the thrill of power his focus gave me. The Lord himself told me he would make me his empress. I was terrified, yet I only wanted to feed my bushido, continue on towards the dizzying heights of my own capability, backed by an empire’s worth of resources. And I failed to recognize, as Seventeen had in bitter tears warned me, the coming destruction of my own self. We were no longer on Earth. The Empire could fold space, the Lord’s grandmother had been gifted the knowledge during her first rage, it was legend. I did not understand my appeal, as a petulant ingrate off the street to the young Emperor, whose cells drank from the flow of the universe itself. But now it is apparent, he was feeble minded from the responsibility of grandeur and I was a rare doll object he loved to soothe himself with.

    He was the only survivor of a lineage massacre, a child prodigy who managed to bring glory back to an empire that should have lost its supremacy, as many of the sneering Elites had been quick to let me know. I didn’t know any of their traditions or their myths, simply that the Emperor wanted to elevate me. It was not until I underwent the grooming process to become empress that I began to acknowledge the depths of their violent history, warring age after warring age, hurtling towards exponential cosmic influence. They were the people of the stars, it was their purpose. On Earth I was the direct byproduct of a corporation war, and there had been no purpose in my thuggish existence. On Vejitasei, I was infused with meaning for simply continuing to survive. Yet I could not discern what any of it meant. I had been so bereft, for so long, for anyone to be proud of me.

    The Emperor is gone now. And the empire, after his passing, became a death cult under my influence. I couldn’t stand it. I killed myself off, found a way into lower dimensions where I could live under different conditions––an escape tale for another time. But I am alive, bereft as ever, with only my bushido to keep me standing. And I’m sure you could believe a story like mine, if you could believe I have lived it.

     

     

    first penned sept 13th 2013.

    this also piece appears in BADMAN, a Dragon Ball fanzine.

    just one of my old aol profiles....

  • GENTRY

    GENTRY

    Y’all are some fools—I can’t stand this shit.

    I’m yelling and gnashing my teeth and screeching at them in modified Common to pay attention. But these gentry don’t know what the fuck I’m talking about. You know that? Then they get robbed and laughed at and their goddamn feelings hurt cause they wanna talk to me and I tell them their Common ain’t shit—nobody can understand what the fuck they talking about! Don’t come to this end of the city like you know what this place is.

    But they come anyway.

    Don’t you know? One time in ancient history someone came up with the idea that says, to thrive and become an important human being you first must be white; secondly— totally understanding; third—never totally actually directly responsible (accept this); and fourth—that you will move through space outside of history (just like an astronaut!) and come to truly know yourself only by trying out other people’s cultures.

    Except if you can’t fucking speak Common, how the fuck…

    I don’t get it either, and they think I’m like them, and then they get Sensitive when I’m like that’s not how you use Jawn and that’s not what Salty means here, and that’s not how you act on the train, and you never heard of Belmont Plateau? You been living here for ten years five years three years you never heard of that place?

    All these young white punks fresh from college and suburbia, responsible young moms as far as the eye can see, touring upper class parents here to survey the neighborhood—

    YOU KNOW SOMETHING?
    UPENN THROWS DOWN HALF ON A HOUSE IN WEST PHILLY IF YOU WORK FOR THEM?
    SO HOW CAN I GET THAT JOB?

    Gentry keeps coming in, crawling over Malcolm X Park and the block of Osage the city bombed to the ground, and nobody has any memory and everything is so charming, and they never stopped to ask who already was here and don’t even care!

    And they walk around and don’t know Common?

    SEE, IT DOESN’T MATTER CAUSE THEY THINK THEY DO!!

    You know, I never lived in a place that was gentry-fied before. I was living out by 48th and Baltimore down the street from my aunt. They call that area Middle Hill now and my aunt stays holed up with her cat in her Victorian rowhome with her Classic Olde Philly accent (the only one the realtors market, anyway) looking at her property taxes like she don’t know what she’s gonna have to do.

    And I moved back to Olney, out by the empty fields where the HK Mart used to be, and the abandoned middle school at Godfrey… Live by my parents finally—my stepdad’s got a grill, my mom’s got a little library going, and my little brother, he builds stuff that keeps things DRY.

    You know they say Levittown is a swamp now? That and the whole shit by Cobbs Creek—lotta places. It’s from the buried creeks and overflowed rivers and all the old backed up drainage systems in the city, and they only send out the truancy officers to those parts, rounding up all those badassed lazy kids and throwing them in detention schools, which YOU KNOW, are the only kinds of free schools this city GOT anymore, and my nana woulda been pissed to have her taxes go to those nasty kids! But what she doesn’t know is that we’re all living with the possums and raccoons now, and those loudass coquís. Her basement’s been flooded and her house is falling down empty.

    And me, I go to work downtown for this young gay PhD couple taking car of their dogs. They work at the experimental charter school district — not the Penn one, the other one sponsored by PEW down by the Delaware. You know, the Delaware’s off limits, too. Might as well call it the Columbus River, if you hear what I’m saying, and let us merry men stick to our trashy creeks up the way…

    And we’ll keep speaking in Common and remember the old blocks and these fools will stay making some other city on top of ours. Cause they don’t know that we’re here, and they don’t fucking care.


    Photo Credit: Rec the Director

    GENTRY was recently performed for LIVE at Kelly Writer’s House (available to listen here), and originally appeared in the space invaders edition of the Metropolarity Journal of Speculative Vision & Critical Liberation Technologies (available 4 free here). It was also assigned reading in a University of Pennsylvania undergraduate English department class, but M, who lives blocks away from campus, was not present to give any context to the piece whatsoever.