Tag: institutional legitimacy

  • Monk Reviews The History of White People by Nell Irvin Painter

    Monk Reviews The History of White People by Nell Irvin Painter

    The History of White People is written by Black historian and author, Nell Irvin Painter. I haven’t read a ton of history books for fun, but this one was a ~very~ smooth read. Physically, it’s one of these floppy pulp paperback books with pleasing wop-wobble heft. There’s a chapter titled \White Slavery as Beauty Ideal\, dissecting Western Europe’s 18th century sexual-beauty fetish for light skinned Georgian, Ossentian, Circassian women discussed mostly in writing and never seen in person. There are chapters titled \The White Beauty Ideal As Science\ and \Johann Friedrich Blumenbach Names White Peple “Caucasian”. A chapter really reaaally lays out how Ralph Waldo Emerson is a preeminent contributor to racist-American thought. Another lays out how the myths of Anglo/Saxon/Norse/Viking identities have been created, spread (and by whom), and used as facist-racist propaganda by major players in history to legitimize American’ness and racial/white superiority.

    It’s pretty good!!

    It’s easy to read. Conversational. Fun. Only a handful of chapters later on get a little dense with names and dates, but if you’re willing to keep track of the centuries as you read and maybe already have done some investigation into origins of European & American identity (or at least regional history of these places), you will come out of this book like DAMN. History is wild yo. It truly is. I had a old codger of a history teacher in 8th grade (we only learned about the civil war all year), who said history is written by the winner. And as an 8th grader you can say, yeah no shit old man. But as you begin to experience the passage of time in stranger and more heartbreaking ways, you realize it’s really that way for real.

    Like Ralph Waldo Emerson was basically writing homoerotic fan-fiction about tall strapping Anglo Saxon men, and he was doing well-paid lecture tours at all the ivy league schools for it! Legitimacy in this book is shown to be the product of upper class men who either had education or big business, both of which control/led mass media popular thought.

    The History of White People starts with the Greeks (as most of [white] history likes to) and goes to our contemporary times. Recommended.


    Suggestion: Requesting a copy of this book from your local library can thus make it available to others. Or ask your local book store to order it for you. Go to anyone but wicked *maz*n.

  • Meanwhile, Elsewhere & Transcendent 2

    Meanwhile, Elsewhere & Transcendent 2

    In 2017 I had two stories published in these two trans SFF anthologies. These were my first experiences outside of self-publishing, having stories published under contract in exchange for a dollar amount.

    Topside Press’s anthology got HEAT DEATH OF WESTERN HUMAN ARROGANCE and Lethe Press’s anthology got ABOUT A WOMAN AND A KID. Neither story could see the light of day until they were officially published in their respective anthologies, although if anyone came to a reading of mine during the year they likely saw me perform my tale about Inri and Loma.

    GUTS magazine said:

    “M Téllez’s “Heat Death of Western [Human] Arrogance” forced me to rethink my relation to individual autonomy. Narrated by Inri, a “third generation Slow Stepper,™” the story makes human-normal seem strange, in a way that allows readers to encounter humanness in a different way.”

    Katherine Cross for BITCH magazine said:

    M. Téllez’s story “Heat Death of Western Human Arrogance,” about a reptilian alien from Mars and their human girlfriend, is a masterpiece. It’s a challenging parable about how the good intentions of white liberals can dehumanize or even destroy those they seek to ‘save.’ As Inri, the story’s main character says, “there is nothing on Mars that is as aggressive,” as the “good intent” of white liberals.

    Since the release of both books, they’ve seen a fair amount of positive press, Lambda nominations, and even a Stonewall book award. I must admit, I knew little firsthand about the machinations of literary prestige before getting myself into things. And while I did figure how to lay out and self-publish METROPOLARITY’s gorgeous Style of Attack Report – and our book was also nominated for a Lambda award lol – it’s just funny to me how underwhelming and vaguely unseemly the whole experience has been.

    I’m not sure what I expected and I guess I was trying to see what would happen. Anyone who fucks with me knows I have an open disdain for institutions that rely on the importance of their own legitimacy to gatekeep. After getting waitlisted one year and denied the next from Clarion (SFF writer’s seminar program), after us in METROPOLARITY crew continued to experience so many bizarre instances of ‘our institution is so inspired by yet not willing to invite or pay you’ resistance & non-support to the work we were putting out, after hearing straight from a veteran sci-fi writer’s mouth that his idea of diversity was having white-passing writers from different first world countries and not the marginalized in his own… I was just like, well shit I got these editors directly inquiring for my work – let’s see what this is like.

    Again, I’m not sure what I expected. Prestige does not pay the bills. Unless people who can write me checks like that prestige, you know? (And further still, what do I and those I claim to support stand to lose by accepting their money?) For the weeks and months of my time-energy involved with these two short stories, I was shocked to see how little a story paid in comparison to a university speaking gig, and further yet compared to selling my own zines direct to fans. This is the most I think I’ve said ‘publicly’ about ‘getting published’ and out of respect to the people who spent their time-energy supporting me, it’s still very restrained.

    Aside from a follow-up reprint of HEAT DEATH in the upcoming Transcendent 3, I am taking a break from working with outside publishers. I’m taking a break from anything that’s not exactly what I want to be putting out.